ETI’s Advice on How To Become a Famous Actor in Atlanta

When it came to sharing advice and how to break into Atlanta’s film industry, Swift says it’s all about working on your craft. “Do not rely on extra work to “make it”…you’ll be frustrated, give up and/or worse…be one of the loonies everyone on set avoids, Swift explains. “Start taking acting classes, do indie films, student films, homemade films, network, and build up your reel.”

But, what is it really like to work on set of Atlanta’s growing film industry? In order to find out we asked Joe Swift, a working actor in Atlanta who has worked on dozens of hit TV shows and movies including The Walking Dead and Tom Cruise’s upcoming feature film Mena.

When it comes to working on set, there is the possibility of finding love. Swift explained that while he was working on set of a popular show in Atlanta he met his girlfriend. But, everyday is not a cake walk.

I asked Swift what was his worst experience on set and he shared a story about a fan who walked on set demanding a role in the Tom Cruise movie Mena.

“As far as horrifying experience…I’d say the time I drove 2 hours to Ball Ground, GA to be in a scene w just Tom Cruise in “Mena”. I was to play the bank teller in a scene. I get there, meet Tom Cruise and the director, Doug Liman. Shake their hands and say “hello”. Then this woman walks in as the bank teller. She had been there the day before as a fan yelling and getting pictures. Someone gave her castings information and she called begging to be in the film & they made her the teller.”

Despite a two hour drive to set, Swift explained that it all worked out in the end. “So I had to watch this go down in front of me, but at least I got to meet Tom & the director put me in another scene. Not the same, but everything changes on the day. Yep, still got paid, but very humbling experience.”

“Acting is a craft. Get in touch with your emotions. Some people just wing it, but I prefer to be prepared. That’s not to say other actors won’t mix it up, but know your lines and react accordingly, to any new emotion in the scene.”